PSYCHOACOUSTICSAt the core of my sound practice lies an ongoing inquiry into psychoacoustics—the science of how we perceive sound. This research is not a separate strand but an integral current that shapes the architecture of every composition, installation, and fieldwork expedition. I explore how auditory phenomena such as spatial localization, timbral nuance, and perceptual masking can be harnessed to create immersive sonic experiences that extend beyond the ear—reverberating through memory, emotion, and embodied response.

By working with both natural and synthesized soundscapes, I probe the thresholds of listening: where sonic detail blurs into sensation, and where perception itself becomes the site of artistic engagement. This often involves subtle manipulations—altering frequency relationships, spatial cues, or temporal dynamics—to activate states of heightened awareness or disorientation. My research draws from both scientific literature and direct sensory experimentation, occasionally in dialogue with neuroscientists and acoustic ecologists.

Ultimately, the psychoacoustic dimension of my work seeks to deepen our attentional capacity—to re-tune listeners not only to sound but to place, presence, and the porous boundary between internal and external worlds.